Ken Ehrlich is an artist and writer based in Los Angeles. He has exhibited internationally In a variety of media, including video, sculpture and photography. His work interweaves architectural, technological and social themes to play with ideas of invention and circumvention; superstructure and infrastructure; consumption and waste; and site, place and location. He often collaborates with architects and other artists in site–specific and/or community–based projects. Recent exhibitions include Machine Project Field Guide to LACMA, Intersection 2009 organized by Outpost for Contemporary Art and Full Pull Festival 2008 in Malmo, Sweden. He is the the co-editor of Surface Tension: Problematics of Site (Errant Bodies Press, 2003), Surface Tension Supplement #1 (2006) and What Remains of a Building Divided into Equal Parts and Distributed for Reconfiguration: Surface Tension Supplement #2 (2009). He is also the editor or Art, Architecture and Pedagogy: Experiments in Learning. (Integrated Media Press, forthcoming 2009). In addition to UCR, Ehrlich also currently teaches at the California Institute of the Arts (CalArts).